Barclay on Singleton

Much admired local ceramicist, advocate for studio pottery, lecturer, advisor to the Castlemaine Art Gallery and Historical Museum (CAGHM) and the Art Gallery of Ballarat, Barry Singleton has recently died. Described by his gallerist Anna Maas from Skepsi Gallery as a charming, polite and generous man, always eager to share his knowledge and experience, Singleton exhibited with the gallery for over 20 years. In this Reflection, colleague and friend Jill Barclay discusses Singleton’s contribution to ceramics and the region. Fine examples of Barry Singleton’s work are held within CAM’s permanent collection. His first solo exhibition at CAGHM was in 1970 and a retrospective exhibition of his work was held in 2013, during the centenary of the Gallery building.

Erudite and generous, Singleton (Singo to most) was for many years advisor to the CAGHM collections committee. Singleton knew a thing or two about art – it’s history and the making of it - and wanted to contribute what he could to the growth of the town’s wonderful art museum. Barry was born in Ballarat where he studied art at the Ballarat School of Mines and received a Diploma of Sculpture from Royal Melbourne Institute of Technology in 1959. He gained further qualifications in teaching and went on to teach art in regional Victoria, settling in Castlemaine in 1967. He taught art at Castlemaine Technical College for many years and was head of its art department. Barry loved teaching and inspired many students to pursue their interests in whatever they were, but most notably in art.

Barry Singleton, Jar, undated, stonework, Castlemaine Art Museum. Image: Ian Hill

Singleton was establishing his own ceramics studio which at that time attracted many other artists to the area and he took part in numerous group exhibitions. His work by this time was functional clay sculpture – pottery. In a quest to understand the medium and the art form, in 1976 he travelled to Japan where he studied with master potter Yasu Ogawara. His understanding of materials and techniques expanded, as did his appreciation of the mysteries and complexities of the artform.

Barry Singleton, Bowl, 1982, stoneware, Castlemaine Art Museum. Image: Ian Hill

Barry Singleton’s work – he referred to it as his pots – can be seen in regional galleries in Shepparton, Ballarat, Bendigo, Sale. His work is represented in private collections in Castlemaine, Melbourne and Internationally. A great communicator, Singleton was invited to speak bout ceramics across the world. He will be greatly missed.

Jill Barclay

Local writer Jill Barclay studied painting and art history at Caulfield Institute of Technology and worked as a secondary school art teacher in Melbourne, Castlemaine and Darwin. During the 1980s Barclay wrote newspaper articles about art and artists and joined her partner, Rob Murdoch, in his Malmsbury, and then Melbourne, framing business. Murdoch & Barclay Pty Ltd, framers and gilders, specialised in making frames by historical methods. Conservation consultations and a small commercial gallery were incorporated into the business. They retired to Castlemaine in 2011, and Jill published the novel The Illustrator in 2018. Barclay is an invaluable member of the CAM Guides.

Womindjika Woorineen willam bit
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Welcome to our homeland,
home of the Dja Dja Wurrung people
we offer you people good spirit.
Uncle Rick Nelson

The Jaara people of the Dja Dja Wurrung are the Custodians of the land and waters on which we live and work. We pay our respects to the Elders past, present and emerging. We extend these same sentiments to all Aboriginal and Torres Strait Islander First Nations peoples.

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